Latest stories
Srushti Pokerna’s 100-day card series connects stories passed down by her grandmother with emotions including grief, self-doubt, hope and resilience.
A rediscovered set of slides connects Steve Heller’s editorial archive to illustrators’ freedom to make striking covers for The New York Times Book Review.
In Building Bridges, 32 illustrations bring Zagnoli’s playful visual language into conversation with Gio Ponti’s architecture, materials and Milan.
Craig Frazier and Craig Cutler’s yearlong book pairs drawings with photographs, showing how a shared word can produce sharply different ideas.
Photographer Craig Cutler and illustrator Craig Frazier answer each other’s images through visual leaps, working without discussion or planned themes.
CERCA’s new identity pairs bold type, candid imagery and community events to make its focus on meeting through mutuals visible.
Malcolm Haslam’s book revisits decorated cloth covers from the Arts and Crafts movement, with designs credited to six artists between 1895 and 1908.
At PRINT Book Club, Aubrey Hirsch discussed how comics combine words, images and data to make debates about women’s lives vivid and personal.
Anna and Elena Balbusso discuss their shared process, classical influences and belief that beauty can bring viewers closer to complex subjects.
Designer Todd Radom brings baseball’s varied ballparks, uniforms and stories together in an illustrated book shaped as nine innings.
In *Reading Pictures*, D.B. Dowd connects illustration to literacy, publishing and cultural history, from printed books to modern graphic design.
A solo exhibition at Philippe Labaune Gallery revisits Guy Billout’s precise, quietly comic approach to surreal illustration.
A museum exhibition revisits Munro Leaf and Robert Lawson’s picture book, where quiet humor, precise ink drawings and a flower-sniffing bull endure.
Cartoonist Ivan Ehlers discusses his route from construction work to illustration, his research and drawing process, and the purpose of editorial cartoons.
Sofiane Pamart, Adrien Beaujeant and Guillaume Héritier build “Movie” into a tactile visual world, pairing piano scores with pink graphics and childhood photogr...
A look back at Otto Soglow’s 1952 *Liberated Latin*, where visual jokes make fractured Latin part of a midcentury humor-book tradition.
A designer’s letters and magazine clippings trace Paolo Garretto’s decades of caricature, from public figures to industrial leaders.
A storefront neon sign works as branding when its typography, color and material carry the business’s identity clearly from the street.
Useful details, distinctive materials and easy digital links can give a business card a reason to stay in someone’s wallet.
A mascot can add personality, but it also competes with the product for attention. Use one when the character belongs at the center of the brand.