Latest stories
New York illustrator Ellen Marello pairs saturated color, expressive characters and fashion-led portraits across editorial and commissioned work.
UK illustrator Lucy Truman builds a quiet portrait of Venice from reflected light, loose observational drawing and scenes of everyday life.
Anna Godeassi turns culturally specific words for happiness into warm, vivid illustrations for Jumping into Puddles, a book for readers of all ages.
For A Symphony of Sound, Sophie Escavy Lim gives sound’s hidden physics a bold visual language, pairing vivid illustration with Trevor Cox’s accessible science.
Sara Tyson uses geometric forms, earthy colours and tactile textures to interpret the psychological tension in Malcolm Lowry’s classic.
Matt Griffin’s Folio Society edition pairs atmospheric illustration with simulations of the chaotic motion at the trilogy’s heart.
A leather-bound Folio Society set pairs new Balbusso Twins artwork with The Handmaid’s Tale and The Testaments, with release set for November 3, 2026.
Sue Todd pairs digital ink with linocut textures in *Blue Boat Home*, translating Peter Mayer’s song into visual rhythms for young readers.
Seymour Chwast illustrated a six-panel invitation to the Society of Illustrators’ HUMOR ’87 competition, turning a practical brief into a comic design challenge...
Amy Cowen’s postcard prompt turns origami into a flat image, inviting artists to explore folds, shadows, diagrams and the memory held in creased paper.
OPAQUE pairs jet-black ice cream with a three-day SoHo installation, shifting attention from color to flavor, texture and touch.
Founded by Patrick Wirbeleit and Dirk Uhlenbrock, Spitzer covers illustration across styles and fields, with plans for two to three issues a year.
Amy Cowen’s final monthly postcard prompt invites artists to send a message from a pet, a remembered companion or an imagined creature.
Pablo Delcan explains how three simple drawing rules shaped Prompt-Brush 1.0, a book built around quick, personal responses to ideas from the public.
Olimpia Zagnoli and Carolina Altavilla shape distinct poster identities for Milano Cortina 2026, bringing sport, place and inclusion into focus.
For Lullabay’s 2025 season, Sangria Creative Studio made illustration the basis of a beach club’s characters, events, posters and merchandise.
After years away from art, Alison Berkey is building a practice across illustration, sculpture and painting, with portraits that move from the iPad to fabric an...
For SVA’s 100 Days project, designer Lynne Rennie draws objects, brands and customs to show how Canadian identity takes shape through shared recognition.
A 2018 Daily Heller post gathers cards Paul Rand saved, credited to designers including Saul Bass, Adrian Frutiger and the Zapfs.
From Nast’s 1862 drawings to Coca-Cola’s annual Santa, illustrators built a familiar Christmas figure from European stories and commercial art.